Ball-Change and Step-Ball-Change Variations
Note: for the purposes of Travel Steps and these exercises, please consider a "ball-change" to be any rebounding weight change, including those that utilize flat feet.
Layering Variations
Try out the layered variations included in Travel Steps. (Work from the content listing in this guide,
or follow along with the DVD). Travel Steps shows several ball-changes
that change weight out to a foot with a lifted heel, and then return weight to
a flat foot. Try ball-changing out onto
a flat foot, and stepping back to a foot with a lifted heel. What other variations can you create? Any weighted hip movement can layer on steps,
and upper body movements are an option too.
If there are any movements you particularly enjoy using that weren’t
demonstrated as layers in Travel Steps,
try them out now as possibilities for layering a ball-change. If you’ve printed out this study guide, get a
pen and add your moves to the content listing.
Directional Variations
A ball change is most often a step out, followed by a weight
change that pulls the body back to its original position. However, any linked pair of steps that travel
in different directions may make a ball change, and changing the directionality
of those steps creates a huge number of possible variations. Here is a list to run through. (Some dancers may also consider two steps in
the same direction to be a ball change, if they are two different types of
steps—like a step across followed by a step side, or a step side followed by a
step together. I haven’t included these
possibilities.) Remember to try each variation leading with both the right and
left foot. If you are feeling ambitious,
you could also try layering the ball changes.
Ball-Changes Starting from a Close Parallel Stance
First step
|
Second Step
|
In place
|
In place
|
Side
|
In place
|
Side
|
Front
|
Side
|
Back
|
Front
|
In place
|
Front
|
Side
|
Front
|
Across Front
|
Front
|
Across Back
|
Back
|
In place
|
Back
|
Side
|
Back
|
Across Front
|
Back
|
Across Back
|
Across Front
|
In place
|
Across Front
|
Front
|
Across Front
|
Back
|
Across Back
|
In
|
Across Back
|
Front
|
Across Back
|
Back
|
In place
|
Side
|
In place
|
Front
|
In place
|
Back
|
In place
|
Across front
|
In place
|
Across back
|
Ball Changes Starting from a Wide Stance (Weight on one foot, the free leg extended side)
First Step
|
Second Step
|
Together
|
In Place
|
Together
|
Front
|
Together
|
Back
|
Together
|
Across Front
|
Together
|
Across Back
|
Ball Changes
Starting from a Staggered Stance with Weight
on the Back Foot
First Step
|
Second Step
|
Together
|
In Place
|
Together
|
Side
|
Together
|
Front
|
Together
|
Across Front
|
Together
|
Across Back
|
Ball Changes
from a Staggered Stance with Weight
on the Front Foot
First Step |
Second Step
|
Together
|
In Place
|
Together
|
Side
|
Together
|
Back
|
Together
|
Across Front
|
Together
|
Across Back
|
Ball Changes
Starting from a Crossed-in-Back Stance
First Step
|
Second Step
|
Together
|
In Place
|
Together
|
Side
|
Together
|
Front
|
Together
|
Across Front
|
Together
|
Back
|
Ball Changes
Starting from a Crossed-in-Front Stance
First Step |
Second Step
|
Together
|
In Place
|
Together
|
Side
|
Together
|
Back
|
Together
|
Front
|
Together
|
Across Back
|
The possibilities for step-ball-change and ball-change-step
are even more numerous. To use this
listing, try a step forward, back, side, across front, or across back for any
step “out.” A sequence that includes a
step together before a step out needs to start from a wide or staggered stance,
or from a position with one foot crossed in front or behind the other. This listing is overwhelming; don’t get
bogged down. I suggest just choosing one
or two possibilities, or
even to skip the list and just try experimenting with
three-step phrases that include at least one direction change.
First Step
|
Second Step
|
Thirds Step
|
In Place
|
In Place
|
In Place
|
Out
|
Out
|
Out
|
Out
|
In Place
|
In Place
|
In Place
|
Out
|
In Place
|
In Place
|
In Place
|
Out
|
In Place
|
Out
|
Out
|
Out
|
In Place
|
Out
|
Out
|
Out
|
In Place
|
Together
|
In Place
|
In Place
|
In Place
|
Together
|
In Place
|
In Place
|
In Place
|
Together
|
Together
|
Out
|
Out
|
Out
|
Together
|
Out
|
Out
|
Out
|
Together
|
Together
|
Out
|
Together
|
Out
|
Together
|
In Place
|
Out
|
In Place
|
Together
|
In Place
|
Out
|
Together
|
In Place
|
Together
|
Out
|
Together
|
Out
|
In Place
|
Together
|
In Place
|
Out
|
Timing Variations
Travel Steps
focuses on steps that happen on the beat, but you may also step rhythmically on
the “&” between beats. If you’d like
to practice counting music or stepping rhythmically, run through these footwork
patterns, working to music in 4/4 time or a metronome or rhythm track. For the most basic option use steps forward
and ball-changes to the side; or create your own directional and layer
variations. Take note of the different
visual emphasis created by each pattern.
1
|
&
|
2
|
&
|
3
|
&
|
4
|
&
|
Ball-
|
Change
|
Step
|
Step
|
||||
Step
|
Ball-
|
Change
|
Step
|
||||
Step
|
Step
|
Ball-
|
Change
|
||||
Change
|
Step
|
Step
|
Ball-
|
1
|
&
|
2
|
&
|
3
|
&
|
4
|
&
|
Step
|
Step
|
Step
|
Ball-
|
Change
|
|||
Step
|
Step
|
Ball
|
Change
|
Step
|
|||
Step
|
Ball-
|
Change
|
Step
|
Step
|
|||
Change
|
Step
|
Step
|
Step
|
Ball
|
1
|
&
|
2
|
&
|
3
|
&
|
4
|
&
|
Ball-
|
Change
|
Step
|
Step
|
Step
|
|||
Step
|
Ball
|
Change
|
Step
|
Step
|
|||
Step
|
Step
|
Ball
|
Change
|
Step
|
|||
Step
|
Step
|
Step
|
Ball-
|
Change
|
1
|
&
|
2
|
&
|
3
|
&
|
4
|
&
|
Step
|
Ball-
|
Change
|
Step
|
Ball-
|
Change
|
||
Step
|
Ball-
|
Change
|
Step
|
Ball-
|
Change
|
||
Ball-
|
Change
|
Step
|
Ball-
|
Change
|
Step
|
||
Ball-
|
Change
|
Step
|
Ball-
|
Change
|
Step
|
Ideally, your steps should emphasize accents in the music or
follow the phrasing of the melody.
Simple patterns are usually fine, but some music may call for more
complex phrasing. Here are few examples
of other ways to creatively combine step and ball-change elements.
1
|
&
|
2
|
&
|
3
|
&
|
4
|
&
|
Step
|
Ball-
|
Change
|
Step
|
Step
|
Step
|
Step
|
|
Step
|
Ball-
|
Change
|
Ball-
|
Change
|
Step
|
||
Step
|
Ball-
|
Change
|
Ball-
|
Change
|
Step
|
||
Ball-
|
Change
|
Ball-
|
Change
|
Step
|
|||
Step
|
Ball-
|
Change
|
Step
|
Step
|
Try creating a few footwork sequences of your own. To focus on technique, work without music, or
use a rhythm track. Or, focus on musical
interpretation, creating footwork sequences for a particular song. For a simple exercise, just use steps forward
and ball-changes to the side. For a
greater challenge, layer your steps, and vary their direction.
→ Next in the Travel Steps Study Guide: Step-Hold Variations
← Previous: Changing Direction with Hip Rotation; Belly Dance “Pas de Bourrée”; & Cross-Pivot
↑ Travel Steps Study Guide Table of Contents
↑↑ Travel Steps
↑↑↑ Autumn Ward Presents Artistic Belly Dance Student Resource Center
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