Single Steps Across and Grapevines
Cross-over steps are useful for maintaining close foot
spacing, but stepping across your body’s center line also creates variety and
interest in your combinations. While
plain walking steps can be used in dance, sharply-directed crossover steps give
a fancier impression since they are rarely used in everyday locomotion. There also useful as accents, to emphasize a
beat.
Try these footwork patterns to see how a step across
compares visually to a step out .
Step
|
Step
|
Step
|
Hold
|
|
1
|
Across Front
|
Forward
|
Forward
|
Hip Lift
|
2
|
Across Back
|
Forward
|
Forward
|
Hip Lift
|
3
|
Forward
|
Forward
|
Forward
|
Hip Lift
|
4
|
Side
|
Forward
|
Forward
|
Hip Lift
|
You may notice that a step across initiates your travel with
a more decisive look—stepping across communicates a direction change. Depending on how you use your upper body,
stepping across to the front can communicate strong intention, while stepping
across to the back can give a more relaxed feeling.
Grapevines, footwork patterns with steps alternately
crossing front and back, emphasize the stylization that a crossover step brings
to travel. The Travel Steps DVD shows two variations on a grapevine step: a step-in-place variation, and one that uses
a step out. Try these two grapevines
now.
Start with a step-in-place grapevine travelling to the
right. Begin with your weight on your
right foot. Step your left foot across
in front. Bring your right foot to the right to step in place underneath your
right hip. Step your left foot across in
back. Again bring your right foot to the
right to step in place underneath your right hip. Just as with step, cross-behind footwork,
your crossover steps are the steps that move your body to a new place on the
floor. Use this grapevine step to give
an impression of daintiness to your footwork.
It’s also the grapevine of choice when wearing a costume with a narrow
skirt or revealing slit.
For contrast, try a step-out grapevine. Begin the same way, with your weight on your
right foot, and an initial step across on the left. Your next step is a step out to the right,
creating a wide space between your feet.
Step your left foot behind, and again step out with the right foot to a wide
stance. Continuing with this footwork
pattern, you will observe that you cover the floor much more quickly. Use this grapevine to rapidly move from one
spot to another, or to create a bolder flavor in your dancing.
If you are new to grapevines, try a few variations of each
step, leading from both the left and right.
The most common footwork sequence is to begin the grapevine with a
crossover step in front, but initiating with a step behind creates an interesting
variation. Or try beginning with a step
in place, and crossing over to the front or back on count two. To move in one direction and then the other,
take three steps and hold on “4,” or take seven steps and hold on “8.” Try adding layers to either the grapevine
steps or the hold at the end of each segment.
A simple upbeat variation starts with a step across in front and uses a
hip twist on the grapevine and a touch on the hold; an elegant option is to
start with a step across to the back, put a gentle sway on the grapevine steps,
and layer the hold with an arabesque and a leg sweep. Working with music, experiment with layers
and timing to create more variations.
→ Next in the Travel Steps Study Guide: Changing Direction with Hip Rotation; Belly Dance “Pas de Bourrée”; & Cross-Pivot
← Previous: Step, Cross-Behind
↑ Travel Steps Study Guide Table of Contents
↑↑ Travel Steps
↑↑↑ Autumn Ward Presents Artistic Belly Dance Student Resource Center
→ Next in the Travel Steps Study Guide: Changing Direction with Hip Rotation; Belly Dance “Pas de Bourrée”; & Cross-Pivot
← Previous: Step, Cross-Behind
↑ Travel Steps Study Guide Table of Contents
↑↑ Travel Steps
↑↑↑ Autumn Ward Presents Artistic Belly Dance Student Resource Center
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