Weight
Distribution and Transfer
In dance, weight means the weight of
the body, and how it is distributed over the feet. When weight is
equally distributed, neither foot can be lifted from the floor. By
transferring weight forward or back, it becomes possible to lift the
toes, or to lift the heels. By fully transferring weight left or
right, one foot becomes free to lift off the floor.
Describing
Unequal Weight Distribution
Weight-Bearing
Foot
Standing
Leg
Weighted
Hip
Free
Foot
Unweighted
Leg
Unweighted
Hip
When weight is unequally distributed
between the left and right foot, movements can be described in terms
of the weight-bearing foot, the standing leg (also called the
supporting leg or weighted or weight-bearing leg), and the weighted
hip. On the other side of the body is the free foot, unweighted leg,
and unweighted hip.
Hip Rotation
and Rotational Orientation of the Legs
Parallel
Turn-In
Relaxed
Turnout
Engaged
Turnout
Hip rotation is the action of the femur
turning in the socket of the hip joint. Rotation in the unweighted
hip turns the leg to a new orientation. Rotation in the weighted hip
turns the body over the standing leg. When the top of the thigh bone
faces front, the leg is in a parallel orientation. When it points
across the body, the leg is turned in. A relaxed unweighted leg
rolls naturally into a slightly turned out orientation. Muscle
engagement can turn the leg further, into an engaged turn-out. Most
belly dance hipwork requires a close parallel stance, but when one
foot is lifted from the floor, the unweighted leg may turn in or
slightly turn out. In Travel Steps, the standing leg usually has
very slight turnout, to improve balance and stability. The basic
orientation of the unweighted leg is slightly turned out when it is
extended forward or back, and parallel when the knee is bent, or when
the leg is extended to the side. Engaged turnout may be used for
fusion, but is not used in traditional belly dance.
Articulation
of the Ankle and Toes
Flat
Weight-Bearing Foot
Lifted
Heel (Weight-Bearing Foot)
Pointed
Toes (Free Foot)
Flexed
Free Foot (Men's Saidi Styling)
Weight on the foot depends largely on
dance style and music tempo. Staying heavy on a flat foot creates
grounded movement; lifting the heels gives a lighter feeling, and
facilitates quick weight changes. A pointed toe extends and
finishes the line of the unweighted leg. For Saidi steps, female
dancers sometimes imitate men's flexed-foot styling, but Travel Steps
shows Saidi in a theatricalized women's style, with a pointed toe.
→ Next in the Travel Steps Study Guide: Breaking Down Footwork into Steps and Holds
←Previous: Attire
↑ Travel Steps Study Guide Table of Contents
↑↑ Travel Steps
↑↑↑ Autumn Ward Presents Artistic Belly Dance Student Resource Center
→ Next in the Travel Steps Study Guide: Breaking Down Footwork into Steps and Holds
←Previous: Attire
↑ Travel Steps Study Guide Table of Contents
↑↑ Travel Steps
↑↑↑ Autumn Ward Presents Artistic Belly Dance Student Resource Center
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